The provided copyright records offer a fascinating, albeit fragmented, glimpse into a diverse range of artistic creations registered between 1970 and 1973. However, these records are overwhelmingly focused on visual art – paintings, prints, drawings, and reproductions thereof – and offer virtually no information pertaining to gemstones, their geological origins, historical uses, or birthstone associations. Therefore, a comprehensive article on a specific birthstone based solely on these sources is impossible. The documents primarily detail the registration of copyright for artwork, not the gemstones themselves.
Instead, this article will synthesize the available information, focusing on the types of artistic representations documented and the cultural trends they suggest, while acknowledging the complete absence of gemological data. The records reveal a strong interest in Western themes, wildlife, and folk art, alongside a burgeoning market for reproductions and commercially-oriented designs. The sheer volume of registrations also points to a vibrant artistic community and a robust copyright system.
A Predominance of Visual Arts
The vast majority of entries concern visual art. Paintings are frequently mentioned, often with details about the artist, the reproduction method (collotype, serigraph, Heliochrome), and the original location of the artwork (museums, private collections). Artists like Frederic Remington and Mildred Sands Kratz are repeatedly listed, suggesting their popularity and the commercial success of their work. The records indicate a market for both original artwork and high-quality reproductions, catering to a range of tastes and budgets.
The frequent mention of “Collograph prints” and “serigraphs” indicates the popularity of these printmaking techniques during this period. These methods allowed for the creation of multiple copies of an artwork, making it accessible to a wider audience. The inclusion of details like “Collograph print, no.1258” suggests a system of numbered editions, further emphasizing the collectibility of these prints.
Western Themes and Wildlife
A significant portion of the documented artwork focuses on themes associated with the American West. Paintings and prints depicting cowboys, horses, and landscapes are common. Charles M. Russell’s work, specifically “van crossing plain” (1913), is repeatedly referenced, highlighting his enduring appeal. The inclusion of works like “The fall of the cowboy” and “Hunters camp in the Big Horn” suggests a nostalgic fascination with the frontier and a romanticized view of the American West.
Wildlife also features prominently. References to lions (“The king of beasts” by Robert Regis Dvorak) and steers (“Loners” by Guffy R. Layman) demonstrate an interest in depicting animals in their natural habitats. These representations likely appealed to a broad audience, reflecting a growing awareness of conservation and a desire to connect with the natural world.
Folk Art and Decorative Designs
The records also reveal a strong presence of folk art and decorative designs. The work of Ivan L. Laxa and his family, featuring “whimsical folk figures & animals” in relief plaques, is extensively documented. These plaques, described as being suitable for wall decoration, suggest a demand for handcrafted, decorative items for the home.
Similarly, the entries for Harold F. Kempfer, Jr., detailing plaster plaques depicting various subjects (conquistadors, dragons, Spanish galleons), indicate a market for affordable, decorative art. The sheer number of plaques registered by Kempfer suggests a successful business catering to a wide range of tastes.
Commercial Applications and Reproduction Rights
Beyond fine art, the records document the registration of copyright for commercially-oriented designs. Examples include gameboard designs (Jack Overstreet), fabric patterns, and illustrations for publications. The inclusion of entries for companies like Harper & Row Publishers, Inc., and Chrysler Corp. demonstrates the importance of copyright protection for commercial ventures.
The registration of rights for reproductions of artwork is also prevalent. This suggests a thriving market for prints, postcards, and other reproductions, allowing artists and publishers to capitalize on the popularity of their work. The mention of “Maxwell” as a reprint distributor indicates the existence of a network for distributing reproductions to a wider audience.
Diverse Artistic Media and Techniques
The records showcase a diverse range of artistic media and techniques. In addition to paintings and prints, there are entries for drawings, photographs, ceramics, and even architectural drawings. The use of different materials, such as plaster, wood, and metal, further demonstrates the variety of artistic expression documented.
The inclusion of entries for “color slides” (Atlas of Descriptive Histology) and “filmstrips” (Today’s Tires, Facts and Fixes) highlights the growing importance of visual media in education and advertising. These formats allowed for the dissemination of information to a large audience in a visually engaging manner.
Limited Scope and Absence of Gemological Information
It is crucial to reiterate that these copyright records offer no information about gemstones. The search query relating to a “birthstone” yields no relevant results within this dataset. The records are focused solely on the registration of copyright for visual artworks and related materials.
The absence of gemological data underscores the limitations of using this source for the intended purpose. While the records provide valuable insights into the artistic trends and commercial practices of the early 1970s, they are not a suitable resource for researching birthstones or gemstones.
Table: Recurring Artists and Subjects
| Artist Name | Recurring Subject Matter |
|---|---|
| Charles M. Russell | Western Scenes, Cowboys |
| Mildred Sands Kratz | Paintings (general) |
| Frederic Remington | Western Scenes, Horses |
| Ivan L. Laxa | Folk Art, Whimsical Figures |
| Harold F. Kempfer, Jr. | Plaster Plaques, Decorative Relief |
| Guffy R. Layman | Western Scenes, Wildlife |
Conclusion
The copyright records analyzed provide a snapshot of the artistic landscape of the early 1970s. They reveal a strong interest in Western themes, wildlife, and folk art, alongside a thriving market for reproductions and commercially-oriented designs. However, the complete absence of information pertaining to gemstones renders these records unsuitable for a comprehensive article on birthstones. The data highlights the importance of utilizing appropriate sources for specific research inquiries and acknowledging the limitations of available information.